Wednesday, April 12, 2017

Constance Mary Thompson.



We think we know the living, enjoying the confidence
That they will be around to share their experiences
And opinions, proving us right or wrong in our assumptions
Whereas the dead ask only questions:
How much did you really know me?
How much did you understand me?
Do you know the difference between lies and truth?
How much did you actually need me?
How much did you really love me?
Do you know how much I loved you?

Constance Mary Thompson asks me now
And I wilt under her gaze, as always,
Feeling guilty yet not knowing what I have done.
She demands answers and I have none.

I knew her as mother of my mother - the root and centre
Of family so firmly planted that I failed to see our lives
Without her branching tree of distant brothers and sisters,
Tales of Yorkshire, the War, Western Australia, nurses and doctors,
Jesse Macpherson Hospital and the ever-present ghost of her husband,
Phil: an amalgam of experiments with omelets, Shakespeare and carpentry,
A violin in search of a player, a late-night never-answered prayer.
His framed photo sat beside her bed, the smallest of shrines,
A bespectacled face, also asking questions

Perhaps he was a lesson in loss Connie learned well,
Perhaps it was the legacy of her War Generation:
We go on because we must, holding the burden close, suffering in silence.
She seemed to see in me his spirit renewed, a trace, a mark,
The way I walked, talked, something in the eyes.
So, unknowingly, I began to share her burden, becoming a totem, a sign,
That nothing is ever completely lost, merely transformed,
Becoming a voucher or coupon you can claim on
If only you could remember where it was stored.

We all shared her burden by adhering to her idea of family,
Even if we never truly understood what that was.
Nevertheless, she defended it with a determination bordering on ferocity,
Which is not to say she wasn’t giving and caring, no –
She was loving and caring to a fault and it showed,
Just so long as you saw that invisible line she expected to be towed

One memory remains strongest: my younger brother and I 
Were in Tennant Creek when we were told Nan was to visit. 
We were so excited we could hardly sleep.
We woke up at some ungodly hour to find she wasn’t there and so
Returned to bed disappointed, only to wake later and find she was there,
Like some inexplicable magic trick, she had appeared from nowhere.
This was a moment of wonder and joy I thought I would never see again,
Until I saw my daughter born. So you see:
Things are never truly lost, merely transformed.

Still there are no answers. The questions linger, disturb our sleep,
Play out in life like the patterns of choice at the tips of our fingers.
All these words unsaid or words said in anger, all this unresolved history,
Mislaid plans and misadventure are, as The Bard said:
“A tale of Sound and Fury, signifying nothing…”
Perhaps not "nothing", and if something does remain it must be this:
The pure fact of our existence. I would not be here if not for her.

A light has gone out but the glow remains, as it does and must.
Constance Mary Thompson rest in peace. Ashes to ashes. Dust to dust.

©shaun patrick green 2017

Monday, April 3, 2017

April Fools’ Day.


Can it be possible for a country
To be entirely composed of snow?
Canada on April Fools Day
And the weather has tricked
This part of the world
Into a late white Christmas.
My two and half year old daughter
Stomps unsteadily,
Occasionally dropping to her knees
In fluffy white powder and squealing
In the delight only children can muster.
I trail behind, filming, shepherding,
Vaguely amused, slightly flustered,
Knowing that snow is like the sea:
A surface of calm and beauty
Hiding horror and savagery beneath –
Teeth that tear, traps that ensnare,
Despots and extremists dime a dozen
Freedom defeated, ice retreated
CO2 at four hundred parts per million.
But we are happy to be played
For the fools we are and build
Snowmen in parody of ourselves.
Death can wait until Hell freezes over,
So long as there’s beer on the shelves.

©shaun patrick green 2017