Thursday, November 24, 2011

Fucked Liver For Sale.

Fuck my liver
Fuck good living
This is coping
By whatever means possible
Meaning those cheapest
And easiest to hand
We weren't meant for this
The 9 to 5 grind
Churning out shit so
That they may live while we die
Working ourselves to death
So that one per cent
Of this worlds population
Can control ninety per cent
Of its wealth
How did we get lulled into
This lucid slavery?
How did they convince us
This was right and good
That making money for the man
Was the way to happiness?
It was fear,
That most basic of human motivators
Fear of famine/fear of plague
Fear of poverty/fear of old age
Fear of loss/fear of fall
Fear of poverty/fear of the pall
The stigma attached to failure
You see now how they offset
Their shortcomings as representatives
By pointing to the vagueries
Of the markets
And how much would your liver
Be worth in such a bearish climate
Could you even put a figure on it
If you had to sell it
Fucked as it is?


© shaun patrick green 2011

Thursday, November 17, 2011

The Bliss of Amplifier Hiss

Contemporary music is too easy to produce
Its pasteurised for the iPod generation
No digital artifacts in the mix
Clear and compressed to the Max
But whatever happened to the real thing?
Electricity humming through valves
Feedback and amplifier hiss
To clean this all up is to gut music
Make it a pre-packaged commodity
Rather than an intense live experience
I want my music bloody and dirty
To be able to hear feedback
And the vocalist sounding like
He's singing in a toilet
Wailing like a banshee to the muse
Of his own blood stained vomit
While the guitarist smacked out of his head
Strikes chords no one has ever heard before
And the drummer only barely keeps the beat
Making the bass player scowl because
He's the only serious member of the band
All of them trying to be the Velvet Underground
How did they make that sound
Of greatness always falling just short?

© shaun patrick green 2011

Wednesday, November 16, 2011

Obama-itis.

Australia has a nasty case of Obama-itis
Literally, inflammation of the Obama
Characterised by excessive itching of the
Obama area and consequent irritation due
To constant scratching of said area
Application of moisture to the affected
Area is prescribed whether by mouth or tongue
Or clinical swab dipped in nurse sweat
And /or glitter to reduce swelling
In extreme cases cortisone is prescribed
To reduce swelling or else ice packs
And an injection of ANZUS up the anus
May help to reduce symptoms
Of screaming and excessive flag waving
Prognosis is fair to good for recovery
with 30% chance of relapse
Patient discharged 0105 hours EST
Accompanied by ticker tape parade
And official motorcade

© shaun patrick green 2011

Thursday, November 10, 2011

fiery the angels fell

as cinders spat from heaven
coal scarred and priceless
they rained down gods hate
on greed and recklessness

bashed into rock and shattered
leaving shards all around
like great heavenly car crashes
feathers littering the ground

this last battle was costly
for it slipped us under the yoke
of bankers and stock brokers
and speculators the new gods

damned are we without angels
for they monitored the guilty
made us feel justice is possible
gave the corrupt reason for honesty

damned are we without angels
they were our only transcendence
now all is derivatives and bonds
and stocks and indexes and debentures


© shaun patrick green 2011

The Black Seed.

Common in the earth as dirt,
The black seed stirs and rises,
Seeking light as if it were a right.
No sound to mark its rupture
As the roots bare down into ground,
Causing a stir amongst the worms,
Its only sign above an indigo flower
So prized for its taste and perfume
That it beguiles Emperors and sends
Poets into ecstasies of praise.
Only when armies are raised
To go to bloody war for this gewgaw
Is the black seed's work done.
It lives to poison all of mankind
For in that black mass it finds
A most rich and fertile soil:
The hearts and minds of men
For its dark sap to spoil.

© shaun patrick green 2011

Life Studies

"If you want to paint fruit properly," she said
"Just think of a woman's body." So I did.
I painted oranges and grapefruits with
The lustre and sheen of sweat smeared breasts
But she thought my work lacked sublety
I painted rock melons and mangoes with
The curve and patina of post-coital thighs
But she thought my work too sentimental
I painted rambutans and jackfruit with
The prickly verisimilitude of the pubis
But she thought my work too clinical
I painted peeled lychees with the wispy
transcendental aura of eyes after crying
But she thought my work bordered on kitsch
I painted peeked raspberries like nipples
Inflamed and raised in all their tumescence
She looked aghast: "What the fuck is this?"
It was then I realised that painting fruit
Was a singularly feminine experience:
Don't think of a woman's body but think of
How a woman thinks of her own body...
Being obviously of the wrong gender
I gave up painting fruit and started on skies.
"If you want to paint skies properly," she said

© shaun patrick green 2011

Hardboiled.

Did I pour my heart out?
In bleeps and bloops and blahs
She might have thought so
But she was already walking
Away from me in a black raincoat
On a wet night downtown
So existential I could have wept
But I didn't because well
"Tears in rain," right?
Yet there was this beebop rhythm
In my heart that wouldn't stop
High hats hissing in swing time
Snares flaming in triplets
All off the beat while her feet
Walked away asking me to chase
Her heels clicking a strict 4/4
While my heart scatted no/more/no/more
I almost turned and followed
But drew back on my cigarette
Turned up my collar
Pulled down my hat
Heading like a Coltrane solo
Toward booze, endless night
And dark abyss with saxophone

© shaun patrick green 2011