Sunday, September 25, 2011

The Mills.

The Mills is not what she thought
An old shearing shed turned antique shop
Where she expected woolen garments
To keep the vicious winter at bay
Nearly died getting there
As she turned blind in front of
A right-turning lunatic who had right of way
But still made it to the sandy car park
My breakfast in my chest like a wake-up call
So we ascended steps
Wandering through bric-a-brac
Way too early on a Monday morning
But being a public holiday the folks were there
Those fire-stokers, scarf-knitters,
Model-car collectors and
Deceased-estate grifters
Bringing in the bargains for the locals
And the occasional tourist
Yet the place was profoundly out of time
(An analogue of the town itself)
As if you had stepped through the looking glass
And were reviewing history backwards
Through the minutiae of each stall
50s toys, 60s clothes, 70s records,
Each one a time capsule locked into the past
So firmly it made you want to take a shit
Then buy a retro jacket and get the fuck out
At the counter hearty country women served
Persuaded against plastic bags
And over half-rim glasses saw us on our way
With a goodbye and a wave
Withdrawing we felt bereft
Knowing some secret had escaped us
And that despite our purchases
We had skimmed the surface of something
Deep, ancient and intangible
Coming away poorer for knowing nothing

© shaun patrick green 2011

Street Sleeper

Pavement wet and black as my heart
Calls your name in the bitter dark
Seeking you out on this winter night
Across the miles where you took flight
You ran from what my heart had to give
Now I wander not knowing how to live
Once love was ours now it is no more
The streets close in blocking the door
To roam this night alone I am doomed
Asphalt my blanket and concrete my tomb

© shaun patrick green 2011

hunting the hunter

shot cracked through the trees
his way home obstructed by traps
he'd laid for smaller prey
figured it a clap of thunder
and followed the track back
to his hewn timber hut
logs cut by his own hand
not to keep them out but him in
set about to skinning his catch
when another shot split the sky
and he listened to the wind
placing the shooter on the bluff
east of him and perched high
randomly firing into the valley
he snatched his own rifle
headed up the back trail
checking his own snares as he went
careful to head into the breeze
he reached the lookout
belly crawled to the ledge
could see the hunter below him
dressed in cheap camo gear
corralled by empty cans of beer
reminding him of what he would never be
rabbit fox deer or tree to figure
lining life up in his crosshairs
whistling as he pulled the trigger

© shaun patrick green 2011

Afternoon At The Tan.

Across the green
Seeing hats and six packs held aloft
Sun spinning off water like sparkle darts
The grass a matting for extended play
Children's laughter bubbling like liquid fun
Lounge chairs arranged and shade taken
We splay like figures from Manet's
Le déjeuner sur l'herbe
Except that she isn’t naked - not yet
And the dark folds of foliage
Beckon us into their deep becoming
Calling us back to some organic principle
But shy as we are we prefer
The comfort of strangers
Playing ball games on the wide lawns
Complete with sunscreen and beer
And the knowledge that the next sausage
Will be just as good as the last
Still the shadows call like sirens
And a doom is cast over the afternoon
So we slip away into the green folds
Stealthy as sylphs on ketamine
The dark musty earth in our mouths
Rolled with worms in sticky clay
Roots extending down into the earth
Emerging into a world hyperreal
Still bright, clueless and calm
Between equitable paddles
On a pond where eels writhe
Slick and lithe as boneless arms

© shaun patrick green 2011

Saturday, September 24, 2011

Catharsis and Literature

"Catharsis doesn't make great literature," she said
But I had to disagree as we usually did
Especially after too many pints in too few pubs
"But isn't all literature catharsis?"
"Jesus, that's such a masculine concept!"
I had never thought of catharsis being gendered
But there it was being thrust into my face
Like the engorged penis of all those
Great male writers I had read as a youth
Was that simply because I am male?
"What about Janet Frame?" I proposed, thinking
Maybe throwing a female writer into the mix
Might help demonstrate that I was not
Completely naive when it came to
The literary efforts of the fairer sex
"What about Janet Frame? She was mental!"
"Right," I said, knowing the game was lost
For female logic had won or maybe it was
The beer talking and she was just getting
Nasty as she did after a big session
No fuck it I had enough beer in me to give
As good as I got: "So what's the difference?"
"The difference is," her hackles up,
"Janet Frame had serious mental problems,
She'd had shock therapy. She wasn't just some
Overindulged whining middle class white boy
With a small dick who hated his father
And wanted to fuck his mother!"
Freud couldn't have put it better
Though he might have been more circumspect

© shaun patrick green 2011

Tuesday, September 20, 2011

Giving the Finger.

Scar shows the trace of the blade
In its clean cut through my flesh
My fingertip left hanging
Sheared up to the first knuckle
But you bind and find a bandaid
And spray with antiseptic
Keep working that's the rule
It will all be cool
Like in the old days when mum
Dressed wounds with Betadine and cloth
She'd take them off after a week
And we'd be good to play
Though maybe these days it aint the same
Four days later the festering smell
Makes you change the dressing and you think
Looking at the pus seeping stink
This has all turned very very bad
Off to the hospital where
After hours of waiting
The Doctor says it has to come off
Chop chop on the old digit my son
You won't be pointing out faults again
I say chop it, chop it off
I can live with being a digitless man
But the prognosis improves
With the aid of antibiotics
Seems like an oxymoron to me
But apparently they work in practise
So I keep my finger complete with scar
Reminding me of how close I've been
To cutting through to other side
And finding the flesh unseen.

© shaun patrick green 2011

O Brother Mine.

I.
I don't remember you coming into the world
Preoccupied as I was with filling my nappies
And trying to make my escape
Consciousness of your presence first came
In Tennant Creek when I tried to see
How many elastic bands I could force you to eat
As you bobbed happily in your bouncinette
And would have graduated with fratricide as my major
If our mother hadn't intervened

II.
I think the hugeness of that Northern Territory sky
Did us in - gave us big hopes, romantic ideas
Like climbing White Tank Hill or building
Unassailable fortresses in red dirt
Or feeling keenly the death of our pets
From disease or misadventure
Or trying to understand why the black kids
Smelled like greasy frying pans but could always
Run so fast - away from school and teachers
And the rest of us

III.
The second time I tried to kill you
Was when I watched you fall off that slide
In the playground and break your wrist
It hadn't been anything deliberate on my part
But the screams were piercing and I couldn't help
But be curious and later jealous
As you were flown to Alice Springs, arm in a sling
And once plastered you got to ride a camel
My lesson learnt: those who get hurt get rewarded

IV.
As two kids under five stuck in the outback
With a mother completely out of her element
And a father so in his it was like he had been
There all along - 
We had to become each others life jacket
When I wasn't trying to bump you off I like to think
I was trying to protect you - 
Smaller, cuter and quieter than I
As we grimaced in our fly nets, playing games
Testing the boundaries of that elemental vastness
Which on our own could have swallowed us whole

V.
Back in the city, we exchanged endless horizon
For labyrinthine suburbs through which we pedaled
Like mice on the run, always that feeling of being
Pursued - harder for you, being put up a year
Mixing it with kids taller and tougher, our bulwark
Caton Avenue where we made do with a playground
In a vacant lot behind a friends house
But trouble always found us in the form of
Older boys on BMXs and injuries ensued
Still we gave it back in symbolic ways
Like my throwing a piss-wet thong 
At one of our attackers
The skin on my shin torn open in our escape

VI.
School never was your gig though you had the smarts
Maybe too smart, knowing the minimum you had to do
To get by - for you it was about experience
Perhaps the best teacher of all 
But not the most forgiving
Hanging with the Kent Rd boys and the joys
Of alcohol, dope and the wonders of the female form
You always could pull the chicks, even as a kid
The old ladies used to melt when you smiled
Pinching you plump cheeks, 
Mooing into your cow-brown eyes
Your olive skin a genetic throwback to some
Yorkshire farmer ideal not recognised till later 
And us thinking mum must have had it off 
With the Italian milkman

VII.
You turned into an adult so quickly I was left in shock
Taking a wife, buying a house, having a child
It seemed all happiness was yours except that I
Had spoken my mind and the politics of family
Played out, as it does, and we didn't speak again
For seven years, my part no longer that of brother
But of a spectator who's paid too much 
To sit too far away
This was my third attempt on your life,
Though it was metaphorical and the one I most regret
For time lost can never be regained
Still I'm not about to stop trying, at least not yet


VIII.
Thankfully all my attempts at doing you in
Have failed and I now have only myself to blame
For trying to put forty years of history
Into these few words and the time that remains
Us the offspring of mother and father
Entwined as such as brother and brother
Different hearts but the same blood
Binding us together as if we were one
You are my strong arm, my sixth sense
My good eye, my confidence
My voice of reason, my call to arms
My mirrored truth, my shield from harm
Your strength and honesty stand as the broadest tree
Your smiles and laughter given easy and free
And if you ever feel shaken so that you might fall
Look to us to hold you up steady, straight and tall
Cherish all the moments that have your life defined
And know I love you dearly, O brother mine

© shaun patrick green 2011

Friday, September 16, 2011

Oranges and Lemons.

Oranges and lemons
In a bowl beneath Kowalsky's masks
Decay and decoration
Asking what art does
Trip us into a false sense
Of security about the real
Or undermine our base beliefs
And what it means to feel
Seeing the young waddle past
Drunk, angry, unfulfilled
What do they create?
Building their own night
With noise and hope
Avant-garde bands, alcohol and dope
Manufacturing dissent
In sweat shops like cheap suits
Note: registration is not required
Together we watch the fruit rot
And find it more stimulating than TV
Can't afford the gas bill,
Can't afford the pay channel
Might as well watch citrus decay
For in the end it's easier than to be

© shaun patrick green 2011

Saturday, September 3, 2011

The Beach

Majestic red rocks rise
Glistening in the morning like flesh
We part their folds as we explore the gorge
Rock hopping like wallabies
Until we find the waterhole of choice
A crystal clear pool bounded by bright cliffs
And ghost gums, brolgas in the higher branches
Eyeing us wary as we strip off and splash
In the cold mineral tang, a balm on our dry skin
We emerge dripping on warm stone
Sun drying us with its towel-like reach
We are as children, naked and unashamed
This morning our pristine beach

© shaun patrick green 2011

long distance

four thousand kilometres
counts as long distance
to ask a heart to wait a year
would counter strong resistance
yet I have told of love
and its quiet insistence
that distance is no tyranny
when our destiny is persistent
love is a force crossing divides
it finds, it heals, it listens
so when I sing through tender wires
I know no tear will glisten
our love remains strong and true
though miles take their remittance
my heart truly belongs to you
though our love be long distance

© shaun patrick green 2011