Saturday, March 31, 2012

Electricity

She shifts in the bed
And sparks give off
Her skin alive and warm
Like a naked promise
I had forgotten
My hand seeking that touch
Skin on skin
And the pulse within
Dialogue between bodies
Fitting together
Like shapes in a puzzle
We fit here... and here
Made for each other
Like points on a circuit board
Or maybe I'm mixing my metaphors
Lets just caress again
And feel that vital charge
In our weak and seeking souls

© shaun patrick green 2012

She Harvests Early

She harvests the tomatoes early
Not a good season she says
Leaves the green ones to rot
Lack of nutrients in the beds
She offers us the leavings
Durge for seasons passed
Then she spreads blood and bone
New planting she can't be arsed
So we live with the stink
Of potential plenitude
No seeds of good will be sown
Next seasons harvest
Shall be bitter fruit
Organic and locally grown

© shaun patrick green 2012

Tsunami

Did you see the sea coming at you?
No, she said, it came too fast
Like a mountain running at the moon
Nothing could stop it
Not stone not metal not wood not flesh
We had only seconds as the sea
Had millennia to devour us
Pushing in like a quarry of death
Water and mud crushing life as I said
She points to where her house had been
All gone, she says, all gone
My husband, my children, all gone
She shakes her hands as she cries
And apologises for this unseemly
Display of emotion

© shaun patrick green 2012

Saturday, March 24, 2012

Britain Is A Carpark

Traffic stopped and taxed
By ice and government's
Roads a conundrum
Cars locked in grids
Like useless angry kids
Beating at the windows
Of hate in their delirium
This city needs an enema
Coffee preferably
Delivered cold and hard
Into the arse of London

© shaun patrick green 2012

Afghan Is Stan

"Meet Stan," she said
Pointing to her panting Afghan
"Hi Stan," I said
Waving to its conical
Tongue-lolling head
Wondering how a country on a leash
Could become so thin, nervous and hairy
We had coffee
Stan panted
She took me back to her art deco flat
And I tripped over the rug in her entry hall
"Oh sorry," she said, "It's Afghan"
Up close I could see Stan's hair
Woven into the fibres
Open, organic, like an unfolding plan
Or an idea of nationhood
Maybe it was just random thoughts
That made me connect the threads
Dogs, carpets, countries, people, hair
She offered me another coffee
While Stan panted in a corner
Head cocked with a haughty, unconquered air

© shaun patrick green 2012

Light Bulb Moment.

Bulb is about to go
Wincing and whining about its fate
As if it didn't know
We all flicker out, filaments burst in brains
Hearts seize and veins rupture
Blood ceases to flow
So why is this vacuum-sealed
Electrically charged glass ball
Staging such a show?
It's an inanimate object
Without consciousness or intention
And only one purpose: to glow
Yet it wheezes like a lung cancer patient
Dimming and brightening at random
Strange how its death is so slow
Usually they explode out of existence
Like tiny bombs when the switch is flicked
Not this one - oh no
It lingers with an empirical determination
A law of thermodynamics, ode to entropy
As if biological life were its foe
Is it trying in its quantum mechanical way
To teach me something about life
Or am I just waiting to watch it blow?

© shaun patrick green 2012

Wednesday, March 21, 2012

From "Sea Shanties", Vol. 28.

Dim the wilting world
Cast a shallow fail
Hold back hope and best wishes
We are about to set sail

with a hey di hi, hey di hi, hey di hi ho

May the sea take our bodies
And our souls be cast to hell
For deep in deep blue quiet
Is where we all shall dwell

with a hey di hi, hey di hi, hey di hi ho

And fish will gnaw our gizzards
Crabs pick clean our bones
Sing me back to my wife and child
On the winds that bless our home

with a hey di hi, hey di hi, hey di hi ho

For a sailor man am I
I ride the seven seas
Knowing waves will pull me under
Drowning slowly by degrees

with a hey di hi, hey di hi, hey di hi ho


© shaun patrick green 2012

beautiful fruit

i wanted i wanted i wanted
to win you with a song
i sang i sang i sang
by then you were long gone
i wandered i wandered i wandered
to find you once again
to sing to sing to sing
to reignite the flame
to fight to fight to fight
to stake my hearts claim
i lost i lost i lost
finding you with another's name
i wept i wept i wept
sinking ankle deep in the lees
i sing i sing i sing
hoping more like you fall from trees

© shaun patrick green 2012

Comic Relief.

"All the best comedy is based on pain"
She says without a hint of irony
And it takes a while to sink in
He looks at their life together
Mortgage they can barely manage
Two kids trending toward delinquency
This fucking house big enough to hide
Four elephants and their trainers
Him working two jobs to make ends meet
Days at the bank, nights at the bakery
Because it was her idea that they
"Branch Out" - meaning more debt, more work
Less life, less time
For what? To be ourselves?
To be a family? He thinks about this
Maybe for a nanosecond
Between finishing the banking, eating,
And starting the bakery job
His whole being drained by the need
To satisfy someone else's greed
So that in those moments he gets to keep
He's not laughing.

© shaun patrick green 2012

Wednesday, March 14, 2012

Picking Strings

How gone has been
The taste for pick on string
But that enemy in me keeps
Aiming for that bottle of Gin
Which is bullshit cos
Its a women's drink
Still my fingers plow now and then
Not on the instrument but in my mind
I can't touch that guitar
Since she put a curse on it by her leaving
She full of fire fell on my music
And I bled, Oh Lord I Bled,
The fire in me gone with her
To the black pit of doom
With her ancestors sucked of their souls
Trailor park white trash with no remorse
So I must sing above them
Redemption songs
For if they hold me down much longer
I will surely die

© shaun patrick green 2012

Wednesday, March 7, 2012

Night Shift.

Sun stubbed out like a dead cigarette
She wakes in the ashtray of another
Partied out share-house and checks
She's still wearing her panties
Not that its any guarantee
But at least her modesty is in tact
Memories ghost through the dusk
Of her getting up/Routine takes over
Showering and pulling less stale clothes on
While a montage of vodka shots,
Tongue kissing and dirty dancing
Plays behind her eyes
If she died now, she thinks, this would be her legacy;
Cheap thrills and bad choices in boys.
She's out the door and into the night,
Heading to work, hair still wet,
A well-trained homing pigeon.
Disturbing what the necessity of having to pay rent
Can do to a person.
The uniform is ill-fitting and pinches under her arms
As she serves burgers and fries to drunk girls
And guys in chain-store clothes, designer smells, expensive smiles
Who feel a  night out in the city rationalises their lifestyle choice
Of living in the suburbs
She barely suppresses the urge to vomit
The isolation of the staff toilet beneath a cruel fluorescent tube
Offers no solace, only the venal truth of loneliness and decay.

© shaun patrick green 2012

From "Sea Shanties", Vol. 27.


I roll in the folds of dying seas

Say hey diddle diddle
hey diddle diddle
hey diddle diddle hey

They beckon me back on their briny sleeve

Say hey diddle diddle
hey diddle diddle
hey diddle diddle hey

To the arms of the lass I’m trying to please

Say hey diddle diddle
hey diddle diddle
hey diddle diddle hey

So she knows when I’m back never to leave

Say hey diddle diddle
hey diddle diddle
hey diddle diddle hey

Till the next time the deep does me cleave

Say hey diddle diddle
hey diddle diddle
hey diddle diddle hey


I’m a man of the sea and I run with the breeze

Say hey diddle diddle
hey diddle diddle
hey diddle diddle hey

Going Nowhere

Glass door opened with a loud click
Pulled by a tall boy in tight pants
Modest facial hair/huge cow lick
"Thank you so much for coming"
The handshake like a wet clam
Quivering slightly before being eaten
The walk through underwhelming
Photos on rag paper pinned to the wall
A Tattooed Man, badly composed,
Half-heartedly shot, like snaps
From a perverts hard-drive
Here shown as art - why?
Because the photographer is indigenous and gay?
Why do we privilege bad art simply because
It is supplied by minorities?
As a salve to our middle class guilt?
Sorry - I am not middle class and I have no guilt
The photos are poorly shot, badly rendered
They have the appearance of "happy snaps"
Even moments of pure poetry are poorly captured
Ok the guy is in a wheelchair but what the fuck?
That would make it EASIER to take a good photo
Because, despite what the subject does
Lets face it, the photographer
Isn't going anywhere.

© shaun patrick green 2011